Mark & Jill
(518)260-1287

 
For Booking Contact:
Mark Tolstrup
(518)260-1287
mark@marktolstrup.com
CD'S & Reviews
Mark & Jill
Sing The Blues
CD Now Available
Recorded Live at Caffe Lena, Saratoga Springs, NY

B-Mans Blues Report 

For more great blues reviews check out 

www.bmansbluesreport.com
Thursday, August 20, 2020

I just had the opportunity to review the most recent release, Live at Caffe Lena, from Mark (Tolstrup) and Jill (Burnham) and it's a solid dose of old school blues. Opening with Come Here Baby, Mark on vocal and guitar, Jill on vocal and complimented nicely by Frank Orsini on fiddle and backing vocal, you feel the ambiance of a small club in America nearly a century ago. Mark's slide and acoustic guitar playing is cool and Frank's fiddle playing tight. One of my favorites on the release is Elmore James track, Held My Baby. Lead vocal and nicely articulated slide guitar work by Mark, with Orsini taking a nice fiddle solo and lead vocals by Jill really gives this track a great feel. One of the tracks that really stands out for me is What You Gonna Do? with it's gospel roots. The vocal blending of Mark and Jill is solid and with Orsini on fiddle and nice guitar work by Mark, just really works. Wrapping the release is Blind Willie Johnson's Keep Your Lamp Trimmed and Burning with it's gospel feel. With Mark leading the way and rich counter lead by Jill over the firm acoustic guitar work on Mark, this is a fine closer for a cool release.

Blues Blast Magazine
www.bluesblastmagazine.com
SEPTEMBER 5, 2020 
REVIEW BY RAINEY WETNIGHT

 “Too blues for country, too country for the blues.” That’s the motto of the Nouveaux Honkies, and the title of their signature song. However, it also applies to the style of New York’s Mark Tolstrup and Jill Burnham, performing live from Saratoga Springs’ Caffè Lena on their newest album, Mark & Jill Sing the Blues. This warm, unpretentious release features ten songs tailor-made for lovers of folk and mellow blues. As Mark himself says, “There’s an honesty to it. The songs have stories to them. I don’t like music that’s too smooth or contrived.” As a New York Blues Hall of Fame inductee, he knows what he and his audience are after. Right before COVID-19 struck the world, on January 18, 2020, Mark and Jill performed this live concert, not knowing it would be one of their last. They relaxed and energized an appreciative crowd, like hot java is supposed to do. With Mark providing robust male vocals and Jill in heartfelt harmony, they give one’s spirits a boost. Whether country, blues, or in between, that’s what music is meant for.

Sarah Craig, the executive director of Caffè Lena, offers high praise for our leading man: “Sometimes you know a performer is thinking about something other than the song. With Mark Tolstrup, that is never the case. He becomes completely at one with his instrument, with the journey of the song.” This wholehearted dedication to their art has led Mark and Jill to become the winners of the Capital Region Blues Network 2019 competition, and to compete in the International Blues Challenge on January 28, 2020. Such accolades are richly deserved.

Although this is a duo album, guest musician Frank Orsini accompanies Mark and Jill on vocal harmony, fiddle and mandolin.

“Come Here, Baby,” a Tolstrup original, begins the live concert and gets the audience in a pure-blues mood. Mark’s guitar, as crisp as the winter day on which it was performed, lulls one into a trance from the opening notes of the intro. Frank Orsini’s fiddle is like hot butter on pancakes: the perfect finishing touch. Next comes Ry Cooder’s “I Got Mine,” an old-fashioned ditty about gambling – and getting away with the winnings after you’ve clearly lost. “Thirty dollar bet was laying on the table. My buddy’s point was nine. Then the police came, and I grabbed all of them, and I got mine. I got mine…Out the back door I went flying!” A sizzling cover of Elmore James’ “Held My Baby” follows a bit farther down the line, as does one of the most heartbreaking songs yours truly has ever heard: “How Birds Fly,” a meditation on the fallout of alcoholism and drug abuse. The next three gospel songs remind us to love our neighbor and follow the Golden Rule “or you might not get it at all.” Such a prescription is sorely needed.

Mark & Jill Sing the Blues will pep you up and soothe your soul!
NEW Release Northstar
New solo album of original material. Soulful ballads and blues about the joys and struggles of real life. 
Mark Tolstrup - Guitar  & vocals
Jessica Wern – Drums & vocals
James Gascoyne – Bass
Chris Carey – Keyboard & drums (on Dead Mans Blues)
Sharon Bolton – Vocals
Oona Grady – Fiddle
Dave Lambert – Tenor Sax & clarinet
Jeanine Ouderkirk – Baritone Sax
Woody Strobeck – Trombone
Rick Bolton – Harmonica & Vocals

All Songs written by Mark Tolstrup except:
On The Nickel – Tom Waits
Backwater Blues – Bessie Smith
My Song Is Don’t Worry – Floyd Dixon
Haunted House Blues – trad
Dead Man’s Shirt - Michael Eck

Recorded and Mixed by Chris Carey at Millstone Studio, Ballston Spa, NY
Mastered  by: Steve Berson at Total Sonic Media, Austin Texas

Available at Fools Hill Music
NORTHSTAR - This is the song I sang at my father’s funeral. I had been listening to the chord structure of a Soloman Burke soul song, came home from visiting my father in the hospital and this song wrote itself.
HEY HEY BABY - Love the horns on this recording and the just walked into a club in New Orleans live loose feel.
I DON’T KNOW – The sax solo and my step daughters Jessie’s singing really filled out this clear eyed, late night look at romance and it's consequence. 
MILK & HONEY – There may or may not have been a barmaid in New York who moves just like that.
OLD MAN’S BLUES – If you stop and listen you can learn a lot from an old man. A dirty joke, a story about love, a spiritual understanding of life and death.
CITY IN THE RAIN – This song started with the sound in rain and the splash of tires on the street. It’s the first song I wrote that I thought of as a song someone else might be able to sing.
HAUNTED HOUSE BLUES – Ghost stories are entertainment for some people but if the ghosts are someone you loved it’s a whole different thing.
ON THE NICKEL – Some people can get sidelined by drugs or alcohol and may never recover. The title of this Tom Waits song refers the skid row area around Fifth Street in Los Angeles.
BACKWATER BLUES – Live take of a great Bessie Smith song. Just me on guitar and vocal with Jessie on drums.
FREE BROTHER – My oldest brother died at 59. Too young. Sang this at his funeral.  My stepdaughter Jessie made this recording great with her vocal.  She is all I hear when I listen to this.
MY SONG IS DON’T WORRY – Love the message in this Floyd Dixon song. There is no need to worry overly about money and material things.
DEAD MAN’S SHIRT – In the period between my brother’s death and my father’s funeral this song written by my friend Michael Eck came to me as a kind of cathartic musical outlet.
REQUIEM FOR COYOTE – When I was sixteen I had a dream that I was a soldier in the Civil War. This tune came from that experience. 



NORTHSTAR - This is the song I sang at my father’s funeral. I had been listening to the chord structure of a Soloman Burke soul song, came home from visiting my father in the hospital and this song wrote itself.

HEY HEY BABY - Love the horns on this recording and the just walked into a club in New Orleans live loose feel.

I DON’T KNOW – The sax solo and my step daughters Jessie’s singing really filled out this song about the struggle of relationships.

MILK & HONEY – There may or may not be a barmaid in New York who moves just like that.

OLD MAN’S BLUES – If you stop and listen you can learn a lot from an old man. A dirty joke, a story about love, a spiritual understanding of life and death.

CITY IN THE RAIN – This song started with the sound in rain and the splash of tires on the street. It’s the first song I wrote that I thought of as a song someone else might be able to sing.

HAUNTED HOUSE BLUES – Ghost stories are entertainment for some people but if the ghosts are someone you loved it’s a whole different thing.

ON THE NICKEL – Some people can get sidelined by drugs or alcohol and may never recover. The title of this Tom Waits song refers the skid row area around Fifth Street in Los Angeles.

BACKWATER BLUES – Live take of a great Bessie Smith song. Just me on guitar and vocal with Jessie on drums.

FREE BROTHER – My oldest brother died at 59. Too young. Sang this at his funeral.  My stepdaughter Jessie made this recording great with her vocal.  She is all I hear when I listen to this.

MY SONG IS DON’T WORRY – Love the message in this Floyd Dixon song. There is no need to worry overly about money and material things.

DEAD MAN’S SHIRT – In the period between my brother’s death and my father’s funeral this song written by my friend Michael Eck came to me as a kind of cathartic musical outlet.

REQUIEM FOR COYOTE – When I was sixteen I had a dream that I was a soldier in the Civil War. This tune came from that experience. 

NORTHSTAR - This is the song I sang at my father’s funeral. I had been listening to the chord structure of a Soloman Burke soul song, came home from visiting my father in the hospital and this song wrote itself.

HEY HEY BABY - Love the horns on this recording and the just walked into a club in New Orleans live loose feel.

I DON’T KNOW – The sax solo and my step daughters Jessie’s singing really filled out this song about the struggle of relationships.

MILK & HONEY – There may or may not be a barmaid in New York who moves just like that.

OLD MAN’S BLUES – If you stop and listen you can learn a lot from an old man. A dirty joke, a story about love, a spiritual understanding of life and death.

CITY IN THE RAIN – This song started with the sound in rain and the splash of tires on the street. It’s the first song I wrote that I thought of as a song someone else might be able to sing.

HAUNTED HOUSE BLUES – Ghost stories are entertainment for some people but if the ghosts are someone you loved it’s a whole different thing.

ON THE NICKEL – Some people can get sidelined by drugs or alcohol and may never recover. The title of this Tom Waits song refers the skid row area around Fifth Street in Los Angeles.

BACKWATER BLUES – Live take of a great Bessie Smith song. Just me on guitar and vocal with Jessie on drums.

FREE BROTHER – My oldest brother died at 59. Too young. Sang this at his funeral.  My stepdaughter Jessie made this recording great with her vocal.  She is all I hear when I listen to this.

MY SONG IS DON’T WORRY – Love the message in this Floyd Dixon song. There is no need to worry overly about money and material things.

DEAD MAN’S SHIRT – In the period between my brother’s death and my father’s funeral this song written by my friend Michael Eck came to me as a kind of cathartic musical outlet.

REQUIEM FOR COYOTE – When I was sixteen I had a dream that I was a soldier in the Civil War. This tune came from that experience. 



NORTHSTAR - This is the song I sang at my father’s funeral. I had been listening to the chord structure of a Soloman Burke soul song, came home from visiting my father in the hospital and this song wrote itself.

HEY HEY BABY - Love the horns on this recording and the just walked into a club in New Orleans live loose feel.

I DON’T KNOW – The sax solo and my step daughters Jessie’s singing really filled out this song about the struggle of relationships.

MILK & HONEY – There may or may not be a barmaid in New York who moves just like that.

OLD MAN’S BLUES – If you stop and listen you can learn a lot from an old man. A dirty joke, a story about love, a spiritual understanding of life and death.

CITY IN THE RAIN – This song started with the sound in rain and the splash of tires on the street. It’s the first song I wrote that I thought of as a song someone else might be able to sing.

HAUNTED HOUSE BLUES – Ghost stories are entertainment for some people but if the ghosts are someone you loved it’s a whole different thing.

ON THE NICKEL – Some people can get sidelined by drugs or alcohol and may never recover. The title of this Tom Waits song refers the skid row area around Fifth Street in Los Angeles.

BACKWATER BLUES – Live take of a great Bessie Smith song. Just me on guitar and vocal with Jessie on drums.

FREE BROTHER – My oldest brother died at 59. Too young. Sang this at his funeral.  My stepdaughter Jessie made this recording great with her vocal.  She is all I hear when I listen to this.

MY SONG IS DON’T WORRY – Love the message in this Floyd Dixon song. There is no need to worry overly about money and material things.

DEAD MAN’S SHIRT – In the period between my brother’s death and my father’s funeral this song written by my friend Michael Eck came to me as a kind of cathartic musical outlet.

REQUIEM FOR COYOTE – When I was sixteen I had a dream that I was a soldier in the Civil War. This tune came from that experience. 

NORTHSTAR Review by John Mitchell Blues Blast Magazine

Mark Tolstrup is from Saratoga, NY, and this is his first release since 2007. The album contains eight originals and five covers, some of it blues, some not. Mark is on guitar and vocals, his step-daughter Jessica Wern plays drums and sings, James Gascogne is on bass and Chris Carey on organ; other musicians involved are Oona Grady (fiddle), Dave Lambert (tenor sax and clarinet), Jeanine Ouderick (baritone sax), Woody Strobeck (trombone), Rick Bolton (harp/vocals) and Sharon Bolton (vocals and graphic design).

Mark’s world-weary vocals fit well with the material and Jessica often doubles up on the vocal lines, as on the bittersweet “I Don’t Know” which has a late night flavour courtesy of Dave’s sax work. Two songs deal with the recent passing of Mark’s father and brother: ‘Northstar’ was written for his father’s funeral and reflects on the sense of loss, a quiet reflective eulogy accompanied just by Mark’s guitar and keys; “Free Brother” follows a similar pattern with reference to his late brother. “City In The Rain” and instrumental album closer “Requiem For Coyote” both fit into the ‘Americana’ category, the latter having a military drum beat over which fiddle, bottleneck slide and the horns join in. Mark’s blues influences are represented on “Milk And Honey” which has some good slide work and lyrics that reference “black cat bones” and “walking in the moonlight”. “Hey Hey Baby” is an infectious uptempo romp with the horns prominent and “Old Man’s Blues” tells the story of an old bluesman over a tune with a hint of New Orleans and featuring Mark’s slide.

The covers include a version of Bessie Smith’s “Backwater Blues” which coveys a sense of menace through the tough vocals, the traditional “Haunted House Blues” with just guitar and bass and Floyd Dixon’s “My Song Is Don’t Worry” which blends country blues with deep baritone sax. “Dead Man’s Shirt” (by fellow NY State musician Michael Eck) is definitely blues with some strident harp but Tom Waits’ “On The Nickel” is more folk with plaintive fiddle in a version that brings mid-period Dylan to mind.

Overall this album is not all blues but does present a variety of styles. It may therefore appeal to those with broad tastes.

Brass & Blues

Bye & Bye  

Hot Tamales  

How Long Blues 

Some Of These Days 

Beale Street Blues  

San Francisco Bay Blues  

Step It Up And Go 

Cake Walk Into Town 

St. James Infirmary  

Shine  

I’m Gonna Sit Right Down And Write Myself A Letter 

Aunt Haggar’s Blues

Walking Blues    




  

Bluesman-singer/slide guitarist Mark Tolstrup and drummer/singer/songwriter Dale Haskell release their new CD "Street Corner Holler". This collection features songs written by Tolstrup and Haskell as well as traditional material.

On these tracks they are joined by the nationally renowned Tony Markellis on Bass also joining on some tracks are Ron Rost on Hammond Organ, Sten Isachsen on mandolin, Dave Sokal on tuba and great backing vocals by Mother Judge.

What The Critics Say.

“....a rousing, heartfelt, virtuoso-level new album “Street Corner Holler”
Michael Hochanadel - Schenectady Daily Gazette

“Together they produce a mood that tastes like a shot snake blood and Tabasco sauce.”          
Samuel Murphy - The Queensbury Citizen

“Thank you for sending the new CD. I have been driving around with for a few days since I got back from NOLA. This CD is very very good. You and Dale hit the mark on all the tracks. I am very impressed and will play the hell out of it on my show”             
Steve Daub - “Stormy Monday Blues” WRPI

“Mark, Thanks again for sending me your great album "Root Magic" Your mix of covers, traditionals and own songs makes it one of the best rootsblues releases I've heard this year.”        
Thomas Kaldijk - "Blueprint Radio" Holland



 "Mark Tolstrup has unleashed some fine solo blues recordings over the years, but since teaming up with drummer-singer (Dale) Haskell, he’s taken the music up to the next level."
Greg Haymes - Nippertown.com

"Mark Tolstrup & Dale Haskell are masters of balance.  The slide guitarist and drummer, both fine singers, trade off between acoustic music and raunchy, pounding electric blues."
Tom Hyslop - Blues Revue Magazine
        
"Track #2 is the Best re-working of Dylan’s “It Takes A Lot To Laugh…” you’ll probably ever hear as it sounds like it’s straight out of an East Texas roadhouse with mean, distorted guitar and a slow-grind tempo that strippers would love."  
Andy Grigg - Real Blues Magazine


Street Corner Holler
1. Blood On The Floor—Tolstrup/Haskell
2. It Takes A Lot To Laugh, It Takes A Train To Cry—Bob Dylan
3. Hard Time Killin’ Floor—Skip James
4. City In The Rain —Tolstrup
5. Long Dark Hall —Haskell
6. Tourist Town Offseason —Tolstrup
7. Street Corner Holler—Tolstrup/Haskell
8. Dorval Airport Blues—Tolstrup
9. I Was In The Room When They Died—Haskell
10.Empire State —Tolstrup
11.Christmas Eve In A Liquor Store Parking Lot—Tolstrup
12.Death Don’t Disappoint Me—Haskell
13.Preachin’ Blues—Son House
14.Glory Glory —traditional

 
Roots American blues and ragtime performed with a fresh take and yet steeped in tradition. The Back Roads of America features original songs and tradition material along with "blues" interpretations of songs by other artists. Mark is ably assisted by Dale Haskell on drums and vocal harmony, Frank Orsini on fiddle and mandolin, Bob Stannard on harmonica, Ron Rost on Hammond organ and Dave Sokol on tuba.


Available from cdbaby.com

Also available on itunes.com


               "An acoustic blues master with a genuine feel for the classic works of such blues legends as Robert Johnson, Son House and Leadbelly, Tolstrup slides and slashes up and down the neck of his National Steel guitar as effortlessly as if he was born with it in his hands.
              .... The album features Tolstrup's interpretations of songs by Robert Johnson and Muddy Waters, as well as a number of traditional blues and gospel nuggets. The disc also features a handful of his fine original tunes (including the heartbreaking ballad of loss "1979") and songs that you might not expect to find on a blues album -- the Beatles' "Come Together" and the Rolling Stones' "No Expectations." Recorded by Michael Jerling at his Fools Hill Studios in Saratoga, the CD is a genuine blues gem."

Greg Haymes - Albany Times Union 
"Root Magic"was produced by highly respected veteran musician Tony Markellis this CD presents American roots blues from solo acoustic to electric band. This collection includes traditional blues played with respect for the past while bringing them froward into the present and original material that is fresh yet still in the tradition. On this CD Mark is supported by outstanding performances by Tony Markellis (who has played with The Trey Anistasio Band, Paul Butterfield, David Bromberg , No Outlet among others) on bass, Dale Haskell (of No Outlet) on Drums and Richard Bell (who has played with many great musicians including Janis Joplin and The Band) on piano



Root Magic is available at www.cdbaby.com

Click the cdbaby icon at right to listen to samples and purchase the CD.

Also available at Fool's Hill Music.This site carries many CD's by some great local artists.

Root Magic is also available digitally online at iTunes.